Sistine Chapel – All You Need to Know Before Visiting in 2023

Q: How much was Michelangelo paid for the Sistine Chapel?

Michelangelo was paid 3,000 ducats for his work on the Sistine Chapel ceiling under a contract formalized with Pope Julius II in 1508. This was a significant sum at the time, equivalent to approximately several hundred thousand U.S. dollars today when adjusted for inflation. However, it's essential to note that this figure covered not just Michelangelo's personal fee but also the costs for materials and assistants.

Q: Who painted the Sistine Chapel?

The Sistine Chapel features the artwork of multiple artists, but Michelangelo is the most renowned among them. He was responsible for the chapel's iconic ceiling and the Last Judgment on the altar wall. The chapel's side walls also contain a series of frescoes depicting biblical scenes, which were created by a team of Renaissance painters, including Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio, and Cosimo Rosselli, among others.

Q: When was the Sistine Chapel painted?

The Sistine Chapel's multiple elements were painted at different times. The side wall frescoes were completed between 1481 and 1483. Michelangelo painted the ceiling between 1508 and 1512 and later returned to paint the Last Judgment between 1536 and 1541.

Q: Who painted the famous Sistine Chapel ceiling?

The iconic ceiling of the Sistine Chapel was painted by Michelangelo Buonarroti. Commissioned by Pope Julius II, Michelangelo worked on this monumental fresco from 1508 until its completion in 1512. The ceiling comprises nine scenes from the Book of Genesis, with "The Creation of Adam" being one of the most recognized images in the history of art.

Q: When was the Sistine Chapel built?

The Sistine Chapel was built between 1473 and 1481 during the Papacy of Pope Sixtus IV, from whom it takes its name. The architect responsible for its design was Giovanni de Dolci. The chapel serves as both an artistic marvel and a functional religious space, most notably for the papal conclave, the gathering of cardinals to elect a new pope.

Q: How many artists painted the Sistine Chapel?

The Sistine Chapel features the work of multiple artists. Michelangelo is the most famous, responsible for the iconic ceiling and the Last Judgment on the altar wall. The side walls were painted by a team of Renaissance artists commissioned by Pope Sixtus IV. This team included Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio, and Cosimo Rosselli, among others. So, in total, at least seven significant artists contributed to the chapel's frescoes, although assistants and apprentices would have also been involved.

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Need to Know

Why is the Sistine Chapel so famous?

The Sistine Chapel, built between 1473 and 1481, owes much of its fame to its extraordinary frescoes, notably the ceiling and Last Judgment, both painted by Michelangelo. The ceiling, completed between 1508 and 1512, consists of nine scenes from the Book of Genesis, including the iconic "The Creation of Adam." The Last Judgment, painted later between 1536 and 1541, covers the entire altar wall. The chapel also serves critical religious functions; it is the site of the papal conclave, the process by which new popes are selected. Its blend of artistic mastery and religious significance has solidified its fame worldwide.

Where is the Sistine Chapel located today?

The Sistine Chapel is located within Vatican City, an independent city-state enclaved within Rome, Italy. Specifically, it is part of the Apostolic Palace, the official residence of the Pope. Due to its location, the chapel is both a religious and political symbol, underlining the historical influence of the Papacy.

Is the Sistine Chapel free?

No, the Sistine Chapel is not free to visit. Entrance to the chapel is included in the admission ticket to the Vatican Museums. The standard adult ticket price starts from €17. Additionally, online booking often incurs a reservation fee. Special guided tours also come at an extra cost. It's worth noting that the chapel can get extremely crowded, so advanced booking is generally advised.

Is the Sistine Chapel the 16th chapel?

The term "Sistine" is not indicative of numerical order; rather, it is derived from Pope Sixtus IV, who commissioned the chapel. The name "Sistine Chapel" originates from the Latin "Capella Sistina," referencing Pope Sixtus IV, who had the chapel built between 1473 and 1481. It is not the 16th chapel in a series but rather a standalone structure within the Apostolic Palace in Vatican City. The chapel serves various ecclesiastical functions, including being the site where papal conclaves are held to elect new popes. The misconception that it is the "16th chapel" likely arises from a misunderstanding of the name, which has nothing to do with numerical sequencing.

The Sistine Chapel (Cappella Sistina) is one of the chapels of the Apostolic Palace and one of the most important gems of the Vatican City State, Rome, and the world. It is famous for its architecture with many detailed frescoes. Moreover, it is the temple in which popes are chosen and crowned.

The election of a new pope has been held in the chapel since 1492, along with other locations. Consequently, it became the sole venue of elections in 1870. Some frescoes cover the walls and the ceiling. Some of the notable artists who worked on the chapel are Perugino, Michelangelo Luca, and Botticelli. The location of the Sistine Chapel is inside the Vatican Museums.

By its original definition, it was the chapel of the Vatican fort, known as Cappella Magna. The name of it comes from Pope Sixtus IV della Rovere (pontiff from 1471 to 1484), who commissioned its restoration between 1477 and 1480. All this time, the chapel has served to celebrate papal acts and ceremonies of the Catholic Church. The 15th-century decoration of walls consists of the false drapes, the Stories of Moses and Christ, and the portraits of the Popes. The panels of the chapel also contain depicted events from the Old and New Testaments of the Bible.

There are around 30 thousand visitors per day and over five million people per year

However, the Sistine Chapel is quite plain outside for such an important building: there is a block-like rectangular brick building without any adornment. Moreover, there is no impressive façade and no processional entrance door. All entry points of the chapel are internal, and you can visit it only from other parts of the Papal Palace.

outside The Sistine Chapel in the Vatican City

Importantly, all electronic devices are prohibited for use inside the chapel during the election, and all 115 cardinals who participate in the latest election are swept for bugs before they enter the chapel. Talking about visitors and taking photos inside the Sistine Chapel is also prohibited.

Immediately after the cardinals have entered, the doors of the chapel are closed with words “Extra omnes”, which means “Everyone out”

Tickets and Opening Hours – How to Skip the Line?

To skip the line for the Sistine Chapel and the Vatican Museums, you will definitely need to make an online reservation in advance. In the high season and neighboring dates with religious holidays, tickets are usually sold out months in advance.

Address: Viale Vaticano, Cappella Sistina
How to get by metro: on metro line A to Ottaviano station
By tram: No. 19, station Piazza del Risorgimento
By bus: N49 – entrance to the Vatican Museum is right next to the stop; No. 32, 81, 982 come to the station Piazza del Risorgimento; No. 492, 990 come to the station Via Leone IV / Via degli Scipion
By car: you can park at a paid parking lot near museums
By taxi: you can get to Viale Vaticano
Opening hours: Monday to Saturday from 9 am with closing time at 6 pm. You can buy a ticket from 9:00 to 16:00.
Individual tours: are only possible with an official guide and are sincerely recommended. The best time to visit is when the museums open in the morning.
Tickets: The visit to the Vatican Museums and the Sistine Chapel is not free. There is an entry fee of 17 euros + 4 euros for reservation if you buy online (recommended). You can find resellers of the tickets right on the square of St. Peter, but for a higher price, or buy a ticket at a ticket desk in the Vatican after standing in a long queue.

Entrance Vatican Museums and The Sistine chapel

Features of the visit: photo and video making are prohibited!
Official website: www.biglietteriamusei.vatican.va

Types of Guided Tours to the Sistine Chapel

The best way to see the Sistine Chapel is by ordering a guided tour of the Vatican Museums. Unfortunately, the chapel cannot be visited independently and can be entered through the museum complex.

Fix price transfer from the Fiumicino Airport to Rome

€60.00

There are group tours available in several languages with an audio guide on the official website of the Vatican. But they need to be reserved many months in advance on the official website of the Vatican.

History of the Sistine Chapel

The chapel has existed since 1368. The present version of it was designed by Pontelli and built under the guidance of Giovannino de’ Dolci.

The Sistine Chapel was restored by Sixtus IV, who commissioned its restoration in 1477. During the pontificate of the Pope, a group of most famous Renaissance painters was called to work on the chapel’s decoration.

Frescoes were painted by Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio, Cosimo Rosselli, and Luca Signorelli.

At that time, two series of fresco panels were created, one on the life of Moses to the left of the altar and another on the life of Jesus Christ, located on the right side. Moreover, these panels were created together with portraits of the popes who had governed the Church until then. The paintings were finished in 1482. On the festivity of the Assumption, Pope Sixtus IV celebrated the first mass in the chapel, blessing the Virgin Mary.

On August 15, 1483, Sixtus IV consecrated the first mass in the Sistine Chapel

Consequently, the place became a rostrum for religious and official papal activities. Most people know it as the venue of the Papal conclave. The two most known works of the chapel are the Final Judgement, which represents the Apocalypse of St. John, and the Creation of Adam, which represents the story from Genesis in which God gives life to Adam by Michelangelo. Interestingly, Raphael was a rival of Michelangelo, who accused Raphael of plagiarism, complaining that everything that Raphael knew about art, he had from Michelangelo. While Michelangelo worked on the ceiling of the Sistine Chapel, the young Raphael visited Rome and became attracted to his work in the papal apartments, which showed the influence of Michelangelo. Before starting works on the chapel, Michelangelo had created a marble masterpiece of a standing male nude, David (Davide), between 1501 and 1504 in Florence.

Read more about Michelangelo Buonarroti.

The frescoes of the entrance wall were repainted in the mid of 16^th century by Hendrik van den Broeck, who worked on the Resurrection of Christ by Ghirlandaio, and Matteo da Lecce, who repainted the Discussion over the body of Moses by Signorelli. Unfortunately, the masterpiece was damaged during the collapse of the door in 1522. Moreover, there was a complete restoration of the Sistine Chapel’s frescoes between 1979 and 1999. Several interventions were added: the marble parts (cantoria), the screen, and the coat of arms of Pope Sixtus IV.

One of the famous paintings is the “Baptism of Christ,” which was performed in 1482 by the Italian painter of the Renaissance, Pietro Perugino. The size of the fresco is 540 cm x 335 cm. The fresco shows Christ, John the Baptist, Pigeon as a symbol of the Holy Spirit, God in the luminous cloud, cherubs and seraphim, two angels, a crowd of people, the Jordan River, the landscape of Rome, the triumphal arch, the Colosseum, and the Roman Pantheon.

Interesting Facts about the Sistine Chapel

Before Michelangelo began his magnum opus on the ceiling of the Sistine Chapel in 1508, the overhead expanse was adorned with a blue night sky scattered with stars, executed by the Umbrian artist Piero Matteo d’Amelia. This relatively simplistic work was a far cry from the intricate theological and artistic narrative that Michelangelo would soon undertake. The transition from d’Amelia’s uncomplicated celestial vista to Michelangelo’s sophisticated frescoes can be seen as a microcosm of the dramatic evolution of artistic vision and technical skill during the High Renaissance.
The men’s choir of the Sistine Chapel, the Cappella Papale, is an artistic institution unlike any other. Established in the 1470s, this unique choir performs exclusively original music, upholding a tradition that has remained unbroken for centuries.
This unwavering commitment to originality and artistic purity underscores the Vatican’s larger ethos of fostering unparalleled artistic expressions in visual arts and the auditory domain.
Michelangelo’s trials while working at the Sistine Chapel were monumental. In 1509, he penned a despairing poem to his friend Giovanni da Pistoia, describing how the project had taken a significant physical toll on him. The words “grown a goiter from this torture” bring to life the pain and suffering he endured. However, despite the mental and physical toll, Michelangelo’s resilience led to the completion of a masterpiece that is arguably one of the most extraordinary artistic feats in human history.
When Michelangelo was commissioned for the Sistine Chapel, he was rife with doubt and suspicion. Considering himself primarily a sculptor and not a painter, he feared that this enormous project was a ploy by his rivals to set him up for public failure. Yet, this very project defied his own self-imposed artistic boundaries and proved his mettle not just as a sculptor but as a painter of unparalleled skill and imagination.
Michelangelo’s ceiling is an epic tableau consisting of over 300 individual figures. These figures are intricately woven into a complex theological narrative, spread across a sprawling 11,840 square feet of fresco. From the infamous portrayal of Adam’s creation to the hauntingly beautiful visage of the Sybils, every single figure has a role to play in this monumental dialogue between art and theology.
An astonishing replica of the Sistine Chapel, known as the Capella Sixtina, exists in Mexico (sixtinaenmexico.com). Funded at a cost of approximately 2.4 million dollars, the replica required more than 2.6 million photographs for reference to recreate the intricate details. This endeavor underscores the global influence of the Sistine Chapel and the lengths people will go to bring such artistic masterpieces closer to home.
Contrary to popular belief, Michelangelo was not the sole artistic hand that graced the Sistine Chapel’s walls. Pioneering artists like Sandro Botticelli, Pietro Perugino, and Domenico Ghirlandaio contributed their own masterpieces to the chapel’s decorative scheme. However, it was Michelangelo’s mesmerizing work that catapulted the chapel into a symbol of artistic and theological grandeur, eclipsing the contributions of his illustrious predecessors.
During the 1980s and 1990s, restoring the Sistine Chapel became a global endeavor, receiving a substantial financial contribution from Japan’s Nippon Television Network Corporation. They donated over $4.2 million in exchange for exclusive photography and filming rights. This international involvement stands as a testament to the Sistine Chapel’s universal allure and its ability to transcend religious and cultural boundaries.
The famed frescoes of the Sistine Chapel have inspired countless imitations, parodies, and modern interpretations, making it one of the most reproduced works of art ever. However, nothing compares to seeing it in person. Pre-COVID, the chapel drew up to 25,000 visitors a day, amounting to nearly 5 million visitors annually. This level of footfall is staggering and attests to the enduring fascination with Michelangelo’s masterwork.
Perhaps surprisingly, the Sistine Chapel is not just a monument to art; it’s also a functional chapel regularly used for religious ceremonies, including papal conclaves. These secretive events, held to elect a new pope, imbue the chapel with an added layer of historical significance. The cardinals gather beneath Michelangelo’s portrayal of the Last Judgment, a setting that adds enormous gravitas to the process of selecting the spiritual leader of the Roman Catholic Church.

Michelangelo Paintings

Commissioned by Pope Julius II, Michelangelo worked on the vault of the chapel. The artist painted all the frescoes from the ceiling of the Sistine Chapel. It took four years to paint the frescoes and complete the work from 1508 to 1512.

Tours to the Sistine Chapel Vatican City

The work made by Michelangelo changed the course of Western art

Before working on the chapel, Michelangelo was famous thanks to his work as a sculptor. Pieta and David’s masterpieces led him to fame, but his works with a brush were underestimated. According to Vasari, Julius gave work on frescoes to Michelangelo because of the instigation of two artistic rivals of his, Bramante and Raphael.

The first painting on which Michelangelo worked was the Noah fresco (entrance side of the chapel), but he removed the scaffolding when he completed the scene. The artist realized that the figures were too small to serve their purpose on the ceiling and adopted larger figures in the following scenes. Thus, one can notice that the size of the paintings becomes bigger, moving toward the altar side of the chapel. Moreover, Michelangelo painted a fictive architectural molding and supporting statues down the extent of the chapel for framing the central Old Testament scenes in grisaille (means greyish coloring) to give them the presence of real fixtures.

Ceiling

To reach the chapel’s ceiling, Michelangelo created special scaffolding. Instead of creating the structure from the floor up, he made a wooden platform held up by brackets implanted into holes in the wall. When he finished the painting in stages, the scaffolding was designed to move across the chapel. After the installation, Michelangelo began the painting process. He used a fresco technique, which means he applied washes of paint to wet plaster. To create an illusion of depth, Michelangelo scarped off some of the wet mediums before painting.

Since plaster dries quickly, Michelangelo worked in section, adding planes of fresh plaster each day. Now these sections are called giornata and are still perceptible nowadays

The theme of the ceiling of the Sistine Chapel comes from the Old Testament of the Bible, precisely the Book of Genesis. Consequently, most of the frescoes embody the human connection with God. Each section on the ceiling shows various scenes from the biblical stories.

The Creation of Adam

The Creation of Adam is considered the best-known picture in the Sistine Chapel. You can find it in the central part of the vault. The story from Genesis in which God gives life to Adam is explained in this masterpiece.

The embodiment of the near-touching fingers of God and Adam has become iconic of humankind

This painting exists in thousands of imitations and parodies and is the most replicated religious masterpiece ever. God is depicted with a white beard in a cloak, while Adam is completely nude. The arm of God is outspread to convey the spark of life from his own finger to Adam’s one. Adam’s left arm is mirroring God’s to show that man exists as the likeness of God. Moreover, there are many hypotheses regarding the meaning of the twelve figures around God. The painting shows the person protected by God’s left arm, which according to hypotheses, might be Eve, the Virgin Mary, Sophia – the goddess of wisdom, or an angel of the feminine build.

The Last Judgment

Between 1536 and 1541, the iconic Final Judgement mural on the wall of the altar was painted for the popes Clement VII and Paul III. The Final Judgement represents the Apocalypse of St. John. You can find there righteousness in the company of Christ and saints and the sinners who achieve their punishment. In addition, the dimensions of the altar are 13.7 by 12.2 meters.

The Last Judgement by Michelangelo inside Sistine Chapel

The painting took nine years to complete

Michelangelo began to work on the mural thirty years after the ceiling of the Sistine Chapel was full. The Last Judgment fresco covers the whole ceiling. There were many controversies because the figures in the painting were naked. Cardinal Carafa claimed that Michelangelo was obscene, and a censorship campaign by Carafa and Monsignor Sermini began to remove the fresco. Consequently, the masterpiece of Michelangelo remained until Daniele da Volterra enclosed the genitalia in the figures.

Interestingly, Michelangelo added his portrait in the painting, where he is represented as St. Bartholomew after his skinning

Brain

Michelangelo’s Creation of Man panel of the ceiling from 1512 contains an image that has been misunderstood for 487 years. First, the image of the brain represents God bestowing intellect on man. Many scholars have interpreted the masterpiece to mean God bestowed life on man.

brain in The Sistine chapel fresco Painting Artwork Michelangelo

Sistine Chapel Before and After Restoration

The frescoes of the Sistine Chapel had several interventions before the restoration process started in 1980. Primarily, the problems with the ceiling appeared because of the water penetrating through the floor above. In 1625, a restoration was made by Simone Lagi, the “resident gilder,” who covered the ceiling with linen clothes and cleaned it by rubbing it with bread. He stated that the frescoes “were returned to their previous beauty without receiving any harm.”

Another restoration took place between 1710 and 1713 by the painter Annibale Mazzuoli and his son. They used sponges dipped in Greek wine and repainted some areas’ colors, which were lost due to the efflorescence of salts. Moreover, Mazzuoli applies lots of glue varnish. This restoration was focused mainly on the ceiling, while less attention was paid to the lunettes.

After, between 1935-1939, the Restoration Laboratory of the Vatican Museum made a restoration to consolidate some areas of the intonaco at the eastern end of the chapel and to remove the dirt.

Restoration of the Sistine Chapel

The experimentation for the modern restoration began in 1979. The team of restorers with Gianluigi Colalucci, Maurizio Rossi, Piergiorgio Bonetti, and others took as their guidelines the Rules for restoration of works of art by Carlo Pietrangeli, the director of the Vatican’s Laboratory for the Restoration of Pictures.

The most important point of the restoration procedure was a study and analysis of the artwork. Between 1980 and 1984, the first stage of restoration, the work on Michelangelo’s lunettes, was completed. The later focus was transferred to the ceiling, and works were finished in 1989. From there, the focus was transferred to the Last Judgement, and the restoration was unveiled by Pope John Paul II on 8 April 1994. The final stage of restoring the wall frescoes was approved in 1994 and unveiled in 1999.

Test Your Knowledge about the Sistine Chapel

Test your knowledge of the Sistine Chapel by answering the following popular questions without peeking.

How much was Michelangelo paid for the Sistine Chapel?

Who painted the Sistine Chapel?

When was the Sistine Chapel painted?

Who painted the famous Sistine Chapel ceiling?

When was the Sistine Chapel built?

How many artists painted the Sistine Chapel?

Who restored the Sistine Chapel?

Why was the Sistine Chapel ceiling painted?

Which Pope commissioned the Sistine Chapel?

What do the two fingers touching in the painting mean?

Author: Kate Zusmann

For the last 10 years, I live in the Eternal City. Traveling, exploring new things, writing blogs, and shooting vlogs are my main hobbies, but the thing that I like even more is sharing my experience and thoughts with you! Explore Rome with Us :)

Sistine Chapel – All You Need to Know Before Visiting in 2023